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this edition of framework:afield has been recorded in iceland by martin p. eccles. for more information on his work see http://martinpeccles.com. […]
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this edition of framework:afield has been recorded in iceland by martin p. eccles. for more information on his work see http://martinpeccles.com. […]
Read morePodcast: Play in new window | Download (Duration: 59:00 — 138.4MB)
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this edition of framework:afield has been produced in the united states by john wanzel. ‘in motion’, is a new sound collage made specifically for framework:afield that featuring field and foley recordings, voice, computer-based polyphonic synthesization, and digital audio manipulation. The broadcast re-mixes segments from the Blind Spot radio program with sonic material from the stopGOstop podcast, recontextualizing and filtering the audio to emphasize and articulate the cause and effect of motion.
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The following broadcast contains a sequence of binaural ambiences culled from The Hague’s urban environment. The piece forms an interlinked trajectory from The Hague Central Station to the Scheveningen coast, creating a meandering aural section through the cities urban ambiences. Each zone along the trajectory is explored by an individual recordist reacting upon the inherent qualities of their site. The resulting work reveals not only a range of atmospheres but also a polyphony of auditory approaches to urban sounding. […]
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this edition of framework:afield, entitled the river killers, has been produced in the uk by david clarke, aka iamthehow. for more information see http://www.iamthehow.com. […]
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this edition of framework:afield has been produced in kristiansand, norway by terje paulsen. it is made up of two parts: a new piece, enitled mai 2019, created specially for this edition of framework, and the recent release on infrequency editions by terje paulsen and lance autin olsen, terraforming. […]
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this edition of framework:afield, entitled the temple of anagama, has been produced in the uk, with material recorded in estonia, by joseph young. for more information see http://artofnoises.com. […]
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this edition of framework:afield has been curated by iris garrelfs, and features extracts from field recording based compositions created by her phonography students at goldsmiths, university of london. each extract encapsulates the student’s individual approach to exploring some of issues encountered within field recording and soundscape composition practices. […]
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this edition of framework:afield has been produced in canada by claude schryer, and is entitled pushing. hearing. outwards. for more information see http://simplesoundscapes.ca. the piece ss comprised of 11 sets of 2 overlapping field recordings from the http://simplesoundscapes.ca collection, each separated by about 15 seconds of silence. […]
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this edition has been produced in the uk by jilliene sellner. producer’s notes: This episode brings together female phonographers born and working outside of Europe and North America. Many of these sound artists are also academics, educators, visual artists and podcasters. Their compositions shaped and molded, sometimes tenderly, here and there justly enraged, represent alternative orientations and perspectives. […]
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this edition, our first framework:afield of 2019, has been produced in spain by edu comelles. for more information on his work see http://www.educomelles.com. […]
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this week’s special year-end, seasonal edition of framework:afield, #666, has been produced in the united states by mandy szostek, and is a spoken-word environmental meditation recorded at the graveside of william s. burroughs. you can find out more about mandy and her work […]
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Over the next hour, you will hear a recording of the Dawn Chorus from Taylor Creek Park in East York, a part of the city of Toronto in Ontario, Canada. The timeframe is from 5am to 6am on May 27th, 2018. The exact location, a pond separated from the creek by a paved footpath, can be found on the aporee sound map at www.aporee.org under the name Taylor Creek Frogs, as it is an extract from this recording featuring a chorus of frogs. It was recorded using a hand-held Zoom H4n digital recorder. […]
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this edition has been produced in the united kingdom by dallas simpson. the work is binaural, so PLEASE USE HEADPHONES. for more information, see http://www.dallassimpson.com. producer’s notes […]
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