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this week we conclude our look back at some early classic editions of framework:afield with one produced in cottonwood, arizona in the u.s. by jeph jerman (also sometimes known as handsto). it was first broadcast on the 30th of june, 2006. all the recordings featured were, at the time, unreleased material.
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this week we continue our look back at some early classic editions of framework:afield with an edition produced in france by cedric peyronnet, aka toy.bizarre, and first broadcast on the 16th of june, 2006. for more of cedric’s current work, see ingeos.org.
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this week we continue our look back at some early classic editions of framework:afield with an edition produced in scotland by american sound artist bill thompson, and first broadcast on the 2nd of june, 2006. bill’s program was constructed exclusively from field recordings taken from old phonograph records.
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this week we continue our look back at some early framework:afield classics, as we revisit our second edition of the series, produced in the uk by artist, author, podcaster, knitter, and longtime friend of the program, felicity ford, aka felix, first aired on the 19th of may 2006
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this week we continue our look back at some early framework:afield classics, as we revisit our first ever “official” bimonthly edition of the series, produced in new york city by artist, publisher and printer ben owen, and first broadcast on the 5th of may, 2006. it is comprised of recordings […]
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this week we begin looking back at some classic editions of framework:afield – first up is our original pilot episode for the series, produced in london in 2006 by andrew jacques, and featuring a mix of sounds by italian composer walter marchetti. for more of andrew’s work visit https://soundcloud.com/a-d-jacques.
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this edition of framework:afield, entitled whisper to dragons, was produced in the united states, using recordings made in south asia, by michael northam. producer’s notes: a document produced by Michael Northam putting together in order to digest his 2022-23 chapter of life in south Asia. […]
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The latest framework:afield episode, “Septet at the Threshold,” produced by Steven Sherrill, features an event where seven pianos were burned at a gathering of over a hundred people. For additional work, visit stevensherrill.com. The Patreon campaign has 115 patrons, holding steady at 59% of the funding goal.
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This edition of Framework:afield, produced by Alexandros Hadjitimotheou in Greece and named “The Great Black Cormorant Chant,” features serene soundscapes recorded at Lake Petres, Amyntaio. Evita Voudouri contributed exclusive artwork for the album. Details of Hadjitimotheou’s work can be found online. The Patreon campaign supporting the project reports 114 patrons and is 59% towards its goal.
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The Patreon campaign for Framework Radio saw a slight dip in support, now at 113 patrons and 59% towards their funding goal. Featured is Steve Barsotti’s production with the Seattle Phonographers Union, which includes recordings from unique Seattle locations, offering distinct acoustics. Some excerpts have been released on LP, with unreleased Georgetown Steamplant material in this edition.
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The Patreon campaign for Framework Radio reports 115 patrons and is 60% towards its goal. The latest edition, titled ‘Til the World Will Sing Again,’ produced by John Banister in the U.S., features 1970s tape recordings of his uncle Bryan and sister Junelle singing hymns and playing piano, with clips of Bryan explaining the performances.
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The Patreon campaign for Framework Radio has seen a slight decline with 113 patrons, now 59% towards their funding goal. This edition, “Sound Bath Sessions,” produced in Hong Kong by Terence Lloren, documents over 100 sound baths with aims to grow across Asia. The project blends field recording with wellness, capturing live environmental details alongside the healing sound art of local practitioners. Lloren encourages experiencing live sound baths for their full effect, while supporting the local scene. Recordings are released weekly on Bandcamp, with exclusive tracks on Insight Timer.
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this edition of framework:afield is the second of two shows in memory of the great composer phill niblock, who sadly passed away on january 8th of this year at the age of 90. this is a rebroadcast of a show recorded with phill live in the resonancefm studios in london on the 5th of february, 2007. here again are a few words i wrote for last week’s show, which can be heard at https://frameworkradio.net/2024/01/872-2024-01-14/:
i first met phill here in estonia in 2006 during an art festival in the small village of mooste, and friendship was immediately kindled. this was nothing unusual – phill traveled copiously, and had friends in every corner, and kept in touch with all of us. he had a way of making every one of his friendships feel special, and was somehow able to maintain them all. soon after that first meeting, we were meeting again in the states, and then the uk, and then france. everywhere i went, he seemed to be there. i performed in his loft in new york, and helped organise his performance in london. interviewed him for resonance fm, and hosted him for a brief holiday, with plenty of red wine, in the french countryside. my time with him was always also time with his partner of 22 years, katherine liberovskaya, and often also time with other friends we had both met that summer in estonia, rie nakajima and marie roux, now of the performance group o yama o.
and i haven’t even mentioned his music yet. his oft-quoted description of his own sound begins to sum it up: No harmony. No melody. No rhythm. No bullshit. phill’s sound was massive, and he preferred to listen to it that way, presenting is to live audiences at 110dB. he had definite favorites, which he even presented to me (and many others, i’m sure) on a home-burned cdr with ‘personal faves’ hand-written on it.
i hadn’t seen phill in person in several years, but our last communication was just this past may, in response to the announcement for a show i made featuring sounds from my own home. it was short, succinct, and typical of phill’s communication:
patrick
phabulous indeed
phill