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portugal is our theme this week, as this edition of framework:afield was produced there by regular contributor luís antero, and we welcome a new station to the fold, from one of our favorite european cities, porto: radio manobras! check out their broadcast schedule and live stream here: http://www.radiomanobras.pt
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this edition of framework:afield has been produced in the united states by john f. barber. for more information on his radio work see http://radionouspace.net, or visit his page for this show here. some notes from the producer:
Water, Waves, Dreams
This work explores sounds of water, waves, and dreams through soundscapes, field recordings, and phonography produced by John Barber and students in his radio art class.
The included works are broad ranging. Bryan Ruhe, Kathryn Christopher, Jacob Hansen, and Travis Petersen explore sonic manifestations of water in various states in their work “Ice, Waves, Steam, Streams.” […]
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this edition of framework:afield has been produced by john hopkins, aka neoscenes, and is entitled water fills the hall. notes from the producer:
water fills the hall is a sustained drift through the hopkins/neoscenes personal archive of field recordings relating to water. There is no detailed playlist as the work is a multi-track layering of sources and includes essences of several hundred field recordings from four continents. Many of the individual field recordings are available on the aporee::maps field recording project under the neoscenes moniker. […]
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This edition of framework:afield has been produced by students of the University of the Arts, The Hage, in conjunction with Raviv Ganchrow’s Aural Tectonics seminar at the Institute of Sonology.
Tramway, 00:55:00, Two channel audio
The following piece is the outcome of an intensive exploration of Den Haag’s tramway. This expansive public transport network, crisscrossing the Dutch administrative capital, constitutes a site where distinctive trolley acoustics cross-fade with every-day rituals, subjective experiences and abstract temporalities. Taking the tram as a ‘site’ rather than merely a sounding object, permits an exploration of the various realms in which this specific form of transport is invested. Each of the eleven contributions, in this fifty-five minute sequence, explore a dedicated context of tramway audibility by developing diverse strategies of recording, editing, audio tweaking as well as sonic intervention. The result is a journey through various manifestations of the Den Haag tramway. From textural and rhythmic studies; to spatiotemporal and psychogeographic mappings; to social contexts and imaginary narratives; the tram is guided along diverse realities that are none the less firmly set in audible tracks. […]
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this edition of framework:afield has been produced in belfast by kate carr, using recordings from northern ireland, mexico and spain. for more information visit her website at http://www.gleamingsilverribbon.com.
kate’s piece, entitled solve et coagula, is made up of three sonic transects, titled as follows:
– The trip from my old house in the Belfast countryside to the city centre
– I didn’t get a lot of sleep in Mexico
– From a wind turbine to vultures (a sonic transect of a mountain pass in Velez Blanco, Spain)
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this is the second of two editions of framework:afield produced in ireland by slavek kwi, aka artificial memory trace.
ARTIFICIAL MEMORY TRACE presents: MM_ABSTRAKTAL
(mirror image to MM_KONKRETAL)
This piece is emerging from sounds recorded in South Africa during Sonic Mmabolela 2013.
Credits:
1. Eric Miller (USA): treatments and processes – sometimes extreme – of voice of Francisco Lopez (lecture originally recorded by Kwi during Mamori Sound Project in Brazilian Amazon, 2010)
2. Robyn Farah (South Africa): fragment of metal fence in Mmabolela recording with contact mics.
3. Slavek Kwi (CZ/Eire) = all field recordings (transformed or not), voice (recital of latin names of beetles and short notes in czech language), concept and composition (some material was originally used in Synkronika CD release of AMT).
Created by Slavek Kwi 2015 especially for Framework.
Sonic Mmabolela was organized by Francisco Lopez and James Webb.
for more information see www.artificialmemorytrace.com, and www.francoscolopex.net/field.
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ARTIFICIAL MEMORY TRACE presents: MM_KONKRETOL
(mirror image to MM_ABSTRAKTAL)
Based on various field recordings from Mmabolela wildlife reserve in Limpopo valley in South Africa from some participants of Sonic Mmabolela 2013 and 2014. All comments are left in original
language without translation. In this way all animal and human sounds are equally incomprehensible to majority of listeners. […]
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this edition of framework:afield has been produced in maribor, slovenia, using recordings made in berlin, germany, by OR poiesis:
walking Plänterwald, river Spree, Sonopoetic paths Berlin by OR poiesis
September 6th 2015, afternoon
http://orpoiesis.blogspot.si
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this edition of framework:afield has been produced in germany by regular contributor d. l. lutz. notes from the producer:
Earscape:Stellar
In outer space, there is absolute silence – because of the lack of air that could carry sound waves. But it is very intriguing to imagine a music of the spheres, with the “chords” added by man’s attempts to enter this space: the harshness, coldness, absurdity, emptiness of the cosmos. Two main musical sources served as paths into this realm: Biosphere’s much underrated masterpiece “Autour de la Lune”, sampling MIR station sounds and snippets from a radio play of Jules Verne’s “From The Earth To The Moon” (1865), commissioned by Radio France Culture in 2003, and Marc Weidenbaum’s “Disquiet Junto Challenge” #89 dealing with Voyager One’s last signals before it disappeared from NASA’s radars, resulting in many individual musical answers from which I chose a couple of my favourites. Much of the noises heard are of technical nature, but there is also improv jazz, drones, radio excerpts, early computer music, all trying to illustrate man’s alienation when confronted with the cold light of stars. Have a good journey and return safely to mother earth!
D. L. Lutz, born 1969 in Germany, is a practising architect, writer and sound artist living in Berlin. […]
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this edition of framework:afield has been produced in belgium by flavien gillié, and features recordings from the anneessens. neighborhood in brussels. for more information see http://www.bna-bbot.be, or see the project’s page on the aporee soundmap here: http://aporee.org/maps/projects/anneessens.
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http://media.blubrry.com/1474243/archive.org/download/2015.09.13FrameworkRadio/framework524-2015.09.13.mp3Podcast: Play in new window | Download (134.3MB)Subscribe: RSSwe’re back, folks! our first edition back after our summer break is a framework:afield produced in the u.s. by chris lynn (http://framingsounds.wordpress.com), which is airing in conjunction with the great sonic circuits festival, at which we had the great pleasure of performing once many years ago. some…
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http://media.blubrry.com/1474243/archive.org/download/2015.08.02FrameworkRadio/framework523-2015.08.02.mp3Podcast: Play in new window | Download (135.5MB)Subscribe: RSSthis edition of framework:afield, our last edition before our annual summer break, has been produced in the uk by regular contributor martin clarke, using recordings made in india in december 2014 and january 2015. for more information see his website at http://www.rockscottage.net. so that’s it for us,…
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http://media.blubrry.com/1474243/archive.org/download/2015.07.19FrameworkRadio/framework521-2015.07.19.mp3Podcast: Play in new window | Download (133.0MB)Subscribe: RSSthis edition of framework:afield has been produced in switzerland (not in germany, as stated in the show – the artist relocated some time ago) by regular contributor and purveyor of psychogeography stefan paulus. for more information see his new website at http://www.nowhere-nowhere.org. some text about the program:…
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