#757: 2021.05.16 [slavek kwi]

patrick 2021, framework:afield

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this week’s edition of framework:afield has been produced in ireland by slavek kwi, aka artificial memory trace. producer’s notes:

author: alfa00_2404_1
title: dUsk consEnsus III. (segment 1)

Abstract Audio Article in “kwatarese”** recorded “live” 24th April 202(1) during dusk starting at 7 PM, time-zone Ireland, eastern Clare by Slavek Kwi, correspondent for alfa_AAzine.
https://alfa00.bandcamp.com

** abstract multi-dimensional meta-language resemblant to human concept of “music” using the surrounding audio-environment as interface (WSi = weather sensitive installation) of connection in between transmitting and intercepting parties simultaneously “Kwatarese” is more focused on sharing the experience rather than information, looking for creating irrational sense of balance and resonance in between participating elements.

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#755: 2021.05.02 [keith de mendonca]

patrick 2021, framework:afield

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this edition of framework:afield, entitled london punch, has been produced in the uk by regular contribution keith de mendonca. producer’s notes:

“Punch & Judy” is a traditional English puppet show that celebrates its birth date on May 9 1662, when Samuel Pepys noted in his diary watching puppets perform in Covent garden.

Over time, Punch & Judy incorporated many famous living characters into the plot – people who lived and died within my local area in London: Samuel Pepys, Joseph Grimaldi the clown, and Jack Ketch the executioner.

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#753: 2021.04.18 [aural tectonics]

patrick 2021, framework:afield

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The following audio sequence by Mehrnaz, Farah, Richard, Ján, Marco, David, Ghaith and Hilde was realized during Raviv Ganchrow’s Aural Tectonics workshop at the Institute of Sonology, The Hague, in the spring of 2021. Aural Tectonics explores the site-specificity and context-dependency of in-situ sound by fostering a critical awareness of, and attitudes towards, environmental ambiance. Founded in a practice-based approach, the workshop develops situated strategies for listening, recording, sound montage and mapping as well as experimental approaches to situated sound synthesis and site-specific sound intervention. Each year, a particular site is chosen around which a sequence of intensive projects are developed, fostering diverse approaches to ‘hearing place’ and encouraging individual approaches towards hearing contextual ambiance and the spatial agency of situated sounds.

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#751: 2021.04.04 [shawn pinchbeck]

patrick 2021, framework:afield

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this edition, entitled peace of home, has been produced in canada by shawn pinchbeck. for more information see http://www.spinchbeck.com/, or https://shawnpinchbeck.bandcamp.com/. producer’s notes:

At the beginning of the global pandemic in May 2020, I was living in the North Western Peace Region of Alberta, Canada in the city of Grande Prairie.

Looking for something socially distant and outdoors to do, I started driving into the countryside and recording the soundscapes I found there with a Sennheiser Ambeo VR Microphone and Zoom F4 recorder. At first, I didn’t have a project in mind. I was just enjoying exploring the different places I found and the recordings I was making. Then, an idea for a soundscape piece documenting places in the four directions away from the city took hold. […]

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#749: 2021.03.21 [willem sannen]

patrick 2021, framework:afield

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this edition of framework:afield, entitled mixtape #1, has been produced in belgium by willem sannen. for more information see https://soundcloud.com/willemsannen. producer’s notes:

Over the years some field recordings or sound works stayed with me. I tend to replay them which I normally don’t do. I usually listen to an album or a recording once, in full concentration and don’t come back to it. I have the same thing with movies: I don’t see a movie twice. Even the ones I really adore. It has nothing to do with adoration, but everything with not spoiling that first experience. However some field recordings I do revisit and Mixtape #1 is a selection of some of those.

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#747: 2021.03.07 [IWD]

patrick 2021, framework:afield, international women's day

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this is an all-woman iwd show with an intentionally global focus.

the concept, mixing and mastering of this show were shared by long-term framework radio contributors, jilliene sellner, and felicity (felix) ford, both currently based in the uk. stitched together from their respective collections of soundart, field recordings and phonography by women from around the world, this mix explores how womanhood intersects with other identities such as race, ethnicity and disability in womens’ creative sonic praxis. a range of different concerns are reflected, from preoccupation with climate-change, to the importance of decolonising listening space.

most of the artists featured here also have a presence on bandcamp, where you can directly support them. each artist featured is making vital contributions to the fields of soundart, phonography and field-recording and we highly recommend that you check out their work via the links below.

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#745: 2021.02.21 [mark vernon]

patrick 2021, framework:afield

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this edition of framework:afield has been produced in scotland by mark vernon. for more information see his website at http://meagreresource.com. producer’s notes:

The composition of this soundscape combines field recordings of contemporary Lisbon with found tape recordings from the past; reel-to-reel tapes, micro-cassettes and Dictaphones collected from the Feira de Ladra market – a popular and lively flea market in the Alfama district.

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#743: 2021.02.07 [stijn demeulenaere]

patrick 2021, framework:afield

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this edition of framework:afield has been produced in belgium by stijn demeulenaere. for further info on his work see his website at http://www.stijndemeulenaere.be. producer’s notes:

Stijn Demeulenaere is a sound artist and field recordist from Belgium. He creates installations, composes soundscapes, performs and does sound design for dance, theatre and film. As part of his field recording practice, Stijn travels to different places in the world, and records the sound there, both urban soundscapes and pristine nature recordings. Latitudes is a project in which Stijn brings these recordings together.

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#738: 2020.12.13 [john f. barber]

patrick 2020, framework:afield

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COVID Dreamscapes is a sonic narrative of dreams prompted by the COVID-19 (COrona, VIrus, Disease) pandemic (pan = all, demic = people). COVID dreams are widely reported as strange, intense, colorful, and vivid reflections of concerns and fears over contagion, loneliness, loss of control, stress over work and/or life. Medical researchers offer interpretations about meanings. Websites provide opportunities to share and even visualize COVID dreams.

COVID Dreamscapes uses field recordings and found sounds to portray spiraling sonic mashups both real and imagined associated with my personal COVID dreams. While different from what other people are hearing in their COVID dreams these dreamscapes may prompt thoughts about this unique overlay of sound in our lives. […]

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#736: 2020.11.29 [mark vernon]

patrick 2020, framework:afield

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The Dominion of Din is a radio play made out of recordings from a single fixed perspective over an eighteen-year period. It is created entirely from field recordings made out of the rear window of my flat in the West End of Glasgow. In essence, it is a catalogue of exterior sounds that have annoyed, disturbed or angered me over the years living at this residence – and sounds that have largely disappeared during lockdown. […]

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#734: 2020.11.15 [kent macpherson]

patrick 2020, framework:afield

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As Covid-19 gripped New Zealand in March 2020, field recordist Kent Macpherson began documenting his surroundings. Making field recordings in his back yard for 65 consecutive days. From Lockdown level 3 through 4 then back again to level one, these recordings document the sounds of a rural village in the Waikato region of the north island. It is interesting to note the slow fade of the cicadas as the days become colder in May. Then the native New Zealand bird, the Tui begins its courtship song. The absence of human din means the fauna are allowed a certain freedom. The native wildlife begins to communicate with a clarity not known in its generation. Then as the quarantine lifts, the modulating white noise of motor vehicles once again cuts through that freedom.

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#732: 2020.11.01 [thomas park]

patrick 2020, framework:afield

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Thomas Park and his wife Torrey are very happy with their abode– since moving in nearly 5 years ago, their favorite thing to do is to stay at home, visit one another and get things done.

You will likely never visit their home in Saint Louis, unless you know them personally.

Thomas wanted to express some of the joys of his house sonically– to invite others in to listen to the sounds that he experiences often in his favorite habitat.

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#730: 2020.10.18 [ian-john]

patrick 2020, framework:afield

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And so,…how do recordings of sounds found in the environment function for various people? What kind of interactive possibilities arise? 8 sound artists and improvisers were invited to make sounds in response to a collection of recorded found sounds. In this program you can hear both the original recordings and the artists’ sonic interpretations.

현장녹음소리에서 인터페이스으로::Field_to_Interface

Guidance for participants::

First, listen to the sounds I have sent you, and think about how your sound making relates to it.
Next, use the sounds like a score and, part by part, build some kind of response using whatever stands out to you as a cue. Lastly, when ready, using a headphone on one ear and having one ear naked, simultaneously listen to and respond to the score…that’s enough. […]

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