#590: 2017.03.19

an appeal and an apology to start off this playlist – first of all, as i mentioned several times during this show, the track in the playlist titled melatonina is a mystery to me. even when submissions are unlabeled, or i misfile them, i can always track them down through emails or chat messages or download history. but the origins of this one have eluded me – i only know it’s title, and it’s been waiting quite a while to be identified and aired, so i thought i’d better just do it and ask you, dear listeners: did you send me this? let me know if you did, and i will add your name to the playlist and apologise profusely.

and speaking of apologies, here’s one more: i mistakenly announced dominique laloux’s beautiful aporee contribution recorded in togo as ‘anonymous’, when in fact his name is all over it. please accept my humblest, dominique.

otherwise a fault-free show made up of several unreleased online submissions, a new digital release of video game appropriated soundscapes on the gruenrekorder label, and one of the four sides of jason kahn’s latest double-lp release. all this began with a framework introduction recorded by good friend of the program jonathan coleclough, just a few hundred meters from where i’m sitting now, during a recent visit of his here to us in estonia. […]

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#589: 2017.03.12 [vincent duseigne]

this edition of framework:afield has been produced in belgium by vincent duseigne, using recordings made in abandoned mines in 2016. for more information see his website at http://tchorski.morkitu.org.

notes from the producer:

For 20 years, we have been exploring abandoned mines. Often, it’s extremely difficult to access these places. We may stay underground for long periods, to reach faraway areas. In terms of sound, the mine offers a unique and strange landscape. The trip that is offered here begins with the words of a teammate : behind a long flooded zone, a new mine has been discovered. Following this good news, we dive into the unusual world of the mine, as austere as it is uncanny. […]

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#588: 2017.03.05

a long track list this week; i’m not sure how we got to 19 individual tracks without sounding too crowded, but somehow it happened. we heard several releases from the taâlem 3″ cdr series, in celebration of their relaunch of their physical releases; and we heard a beautiful new 10″ release from drone records’ substantia innominata sublabel from two great friends of the program, yannick dauby and hitoshi kojo. several online and/or unreleased works also featured, another selection of sounds from the aporee soundmaps, and a 2nd intro recorded amidst the recent protests in bucharest by new contributors mara maracinescu and dorin moldoveanu. […]

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#587: 2017.02.26 [ian-john hutchinson]

this edition of framework:afield has been produced in south korea by ian-john hutchinson. for more information see http://soundcloud.com/ian-john-hutchinson.

notes from the producer:

Field Recording in recent live performance in South Korea.

What is the nature of the contemporary sound object?

Given that the status of a field recording may be very dubious, and its fate may be oblivion, what are the strategies that artists have developed to present their field recordings and to generate audience engagement in listening to sonic representations. What tricks are artists pulling in attempting to get people to ‘open their ears and listen?’

Some overlap, some reinforcement among these questions will be sought in the context of the recent use of phonography for live performance in the South Korean speculative music scene.

There are four artists whose live performance documents can be heard in this short program. […]

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#586: 2017.02.19

wow, the playlist got long this week; i suppose it was a pretty dense show. i got excited to showcase a number of actual hold-them-in-your-hand physical vinyl LPs that have recently arrived here at framework headquarters: 3 from the great fragment factory label, and another from our new friends in moscow at kotä records. and following that stream of consciousness, we also heard some unrelated moscow sounds from a free online release, along with sounds from germany, japan, czechia, taiwan, and from the recent protests in romania. […]

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#585: 2017.02.12 [dallas simpson]

this week’s edition of framework:afield has been produced in the uk by dallas simpson, featuring recordings made around charmey and gruyère switzerland. notes from the producer:

The Alpine Cattle Descent at Charmey in Canton Freiburg, Switzerland is an annual festival parade celebrating the return of the cattle to the lowlands after spending the Summer up the mountains.

Sonically it is an exciting event. The cacophonous clanging of multitudes of cowbells as groups of cattle are paraded through the streets, sits against the prolonged drone of Alpenhorns and the flapping of the National flag hoisted aloft by the obligatory flag waver. Wandering around the festival streets gives a continual spatial mix of people, music and sounds. An a capella choir sings traditional folk songs while to one side we hear the rustic clang of the blacksmiths anvil as he gives live demonstrations of his craft.

But up in the mountains there is a serene silence punctuated by distant orchestras of cattle, diving aircraft and a little improvisation with found metal poles and a ski lift landing pad constructed of hollow drainpipes.

There are exciting spatial soundscapes to be heard here at both ends of the dynamic spectrum and ideal for binaural recording. Headphones essential! […]

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#584: 2017.02.05

possibly our first ever intro recorded in china, along with sounds from peru, taiwan, greece, chile, hong kong, the united kingdom, italy, slovenia, denmark, and the minor outlying islands of the united states. phew, quite a journey! almost all the releases in this week’s show are available as downloads, many of them for free, so browse the links below to hear more. […]

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#583: 2017.01.29 [john f. barber]

this edition of framework:afield has been produced in vancouver, usa by john f. barber, and is entitled transect: london. for more information see http://www.radionouspace.org/john.

producer’s notes:

Transects is a sound art project investigating ways of sampling sounds along a path through a particular space or place. The desired end result is to promote immersive narrative collages of sounds that represent that place or space, all best experienced through listening.

My practice of creating transects draws on the features and affordances of soundscapes, soundwalks, and sound maps. Soundscapes are the multiple, overlapping, sounds one might hear at a particular location. Soundwalks promote listening to a soundscape by walking to sound sources. Sound maps plot sound sources at specific locations and promote listening to targeted sounds within a soundscape. Transects sample particular or characteristic sounds along a path through a space or place, which, when combined, provide a mix or collage of the soundscape. Learn more about soundscapes, soundwalks, and sound maps. […]

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#582: 2017.01.22

this week’s show contains some new works alongside some older pieces dug out of the submission archives. many of the works this week are available as free downloads from the artist or label, so if you like it, check the links below in the playlist. all this began with a framework introduction featuring petanque players in a small village in brittany, france, sent in by regular contributor barry cullen. along with donations, we also need intros! so why not send both! […]

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#581: 2017.01.15 [matthew swiezynski]

song of the unvanquished

second reinterpretation of the sound-design in satyajit ray’s apu trilogy, focusing on the films aparajito (the unvanquished) (1956) & andapur sansar (the world of apu) (1959), with music by ravi shankar and sound by durgadas mitra, bishnu paridha, ranajit singha roy, satyen chatterjee, kali das, and robin sengupta. remixed and reimagined by matthew swiezynski.

the transfer/conveyance, mixing, and layering of the soundtrack was guided along the pathways of the sky with attention to these simple ideas :
– reoccurring moments of sound/music
– structural patterns, both simple and complex, broken and unbroken
– repetition used in noticeable ways and invisible ways
– errors or imperfections in editing highlighted and often times exaggerated
– creating trance moments to get lost in, and heighten awareness to what proceeds and follows
– attention to fuzz, scratches and other virtues of 35mm film
– removal of dialogue except for tiny moments that are more musical than narrative

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#580: 2017.01.08

happy new year, folks! we’re back with the start of our 2017 broadcasting season, just as winter properly descends on us here in estonia. as temperatures dipped down to almost -20C i found myself unconsciously gravitating towards summer sounds: lom’s soundscapes of summer release by izabela dłużyk and green field summer storms release by chris lynn. also some seaside sounds in our intro and our aporee soundmaps selections; and we’re pretty sure roosters can’t crow like that in -20C. we also enjoyed some more abstract ‘field recording’ techniques, as ariel guzik’s long-string cordiox constructions resonate with the ambient sounds of their environments. […]

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#579: 2016.12.18

well folks, we’ve arrived at the end of another year of framework programming, our 15th, to be precise! we finish this year with a bit of self-promotion, but who can say i don’t deserve it? this week, tomorrow, in fact (from the time of my writing, not necessarily your reading) my new album, my first solo vinyl lp in over 15 years of releasing music, is released to the public by the great gruenrekorder record label, who avid listeners of the show will undoubtedly be very familiar with. songs for forgetting is almost 10 years in the making, and i am very, very excited that it is finally seeing the light of day, and i hope you are too. copies of the vinyl are available from gruenrekorder or directly from me, and the label also has a cheaper digital download version available if you’re not a fan of the vinyl (and i know some of you are not). i hope you’ll listen to the album, and let me know what you think!

so my own horn was tooted alongside some other superb releases, another extremely timely one (we don’t even have a physical copy yet) being stéphane marin’s unfathomless debut. also some older works: a self-released jeph jerman cdr from 2009, another unfathomless release (this one by philip sulidae) from 2014, and some self-released mike kramer works that span a few years, all available on his bandcamp page.  all begun with an introduction recorded on elephanta island in india by regular contributor martin clarke. […]

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#578: 2016.12.11 [d.l. lutz]

this seasonal edition of framework:afield has been produced in berlin by architect, writer, and sound artist d.l. lutz. his notes:

Earscape „Sacral“

Here we are, two weeks before Christmas. And this is why we will go to church and hear some „holy noise“, as R. Murray Schafer calls it. Churches are ritual spaces, and rituals always have an acoustical aspect. Maybe acoustics even dominate every ritual. Churches and organs are definitely built to impress acoustically. Michal Jacaszek from Poland, being fascinated by this aural atmosphere, has made field recordings inside the main churches of Gdansk and reworked them to compositions. I mixed these great sounds with my own field recordings from churches and bells in Germany, with music form Arvo Pärt, Arve Henriksen and others, and with excursions onto church towers and into religious realms further east. This earscape is quite musical and meant to be a soulful companion to the advent season. It is ended by a country gospel intonating „fill me with life anew“ for the beginning of a new year. So relax, light a candle and enjoy some holy noise! […]

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