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several recent arrivals that i’m really enjoying here at the moment: his first appearance on our airwaves, id m theft able’s no was, if i understood correctly, a live on-air radio performance, using electronics and elements of the studio itself (field recording? why not?) which was created over the course of the recent u.s. election night (which is as close as you’ll ever see framework to being political). and kiyoharu kuwayama (aka lethe) has produced one of those very rare things – a release that sounds beautiful while also being a beautiful object: a lathe-cut clear 10″ vinyl record in a hand-painted sleeve, a reminder as to why we shouldn’t turn our backs on physical releases. we also partake of a series of recordings from an australian cricket ground (martin kay), some environmental-instrumental duets (tamtam), a work from the recent radio revolten radio art festival (absolute value of noise), and an intro recorded in the united arab emirates featuring, not playing children, but white-handed gibbons. […]
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