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this edition of framework:afield has been produced in the united states by ian battenfield headley. for more information see http://ianbheadley.org. […]
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#658: 2018.10.21 [john f. barber]
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this edition of framework:afield, entitled rainstorm reveries, has been produced in vancouver, washington, in the u.s., by regular contributor john f. barber. […]
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#656: 2018.10.07 [david clarke]
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this edition of framework:afield has been produced in the uk by david clarke, aka iamthehow. for more information see http://iamthehow.com. producer’s notes:
A soundscape from the original programme Assessing the High-Risk Perioperative Patient. Elements of sounds, some familiar and others disconcerting, are blended with snippets of conversation to create that state of consciousnesses where we eavesdrop as a third party to our own conversation – in a world that is just at odds with ourselves. With thanks to Dr Gary Minto. […]
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#654: 2018.09.23 [thomas park]
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this edition of framework:afield has been produced in the united states by thomas park. for more information see https://archive.org/details/TheEmissionsSeries, or https://archive.org/details/ThomasParkBenchmarkHub. […]
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#651: 2018.07.22 [france jobin]
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this edition of framework:afield has been produced in canada by france jobin. after a six-year hiatus, this is the latest installment in her ongoing series these are a few of my favorite things. producer’s notes:
france jobin – my favorite things (Installment #10)
Bonjour, I am France Jobin, Welcome to these are a few of my favorite things.
As mentioned in earlier installments, my interpretation of field recording based works is very broad. however, the thread I like to follow is to find artists who have mastered their unique identity through the music of sound.
In the last 4 years, I have spent a lot of time in the Abruzzo region of Italy. With this edition of my favorite things, it is my pleasure to showcase the sound artists of this region.
France Jobin
http://francejobin.com […]
#649: 2018.07.08 [boris chassagne]
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this edition of framework:afield has been produced in quebec, canada by boris chassagne, and is entitled 60 secondes radio. for more information see http://www.60secondesradio.com. producer’s notes:
60 Second Radio presented its 4th edition last spring. Over the years and since 2015, more than 400 radio works were submitted to this international radio art competition by radio artist originating from more than 40 countries and in some 15 languages. 60 Second Radio is based in Montréal. It is a contest but also a broadcast platform which distributes freely the audio works collected to non-profit radios and festivals around the globe. Many radio stations, radio festivals and independent radio artists have aired many selections of the sounds produced in 2015, 16, 17, and 2018, Framework Radio being one of them. Here a 57 minute selection of exactly that, 57 works from at least 57 different artists, most with some elements of field recording. You can also listen to all audio works from present and pas editions of the contest on the 60 Second Radio soundcloud:
https://soundcloud.com/60secondesradio/sets/2018-60-s-radio […]
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#647: 2018.06.24 [slavek kwi]
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this edition of framework:afield has been produced in ireland by slavek kwi, aka artificial memory trace. for more information, see http://www.artificialmemorytrace.com. producer’s notes:
An Attempt to Tune_in to Everything through Manifestation of Ego Chapter Five from Soundlife of Slavek Kwi, radio-series:
This is fifth installment of another soundOrganism destined for Framework radio, and is this time dedicated to the idea of exploring extrasensory communication in an attempt to raise our sensitivity to one another and to our surrounding environment. […]
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#645: 2018.06.10 [thesoundcollective]
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this edition of framework:afield has been produced in the uk by thesoundcollective, aka peter rice. for more of peter’s work see http://www.peterricesounddesign.co.uk. producer’s notes:
thesoundcollective is a collection of designers and engineers making audio in many ways. it’s contributors continually evolve and change around the centre pin of one designer, peter rice. most of the pieces in this program are made up of contributions from sound designers and composers from the uk theatre scene. […]
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#643: 2018.05.27 [claude schryer]
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this edition of framework:afield has been produced in canada by claude schryer. for more information see http://simplesoundscapes.ca. producer’s notes:
Simplesoundscapes are a series of field recordings by Canadian soundscape composer Claude Schryer that explore mindfulness through listening. Simplesoundscapes Afield (2018) is a narrated radio composition that brings together 18 of the best of 80 episodes from the second iteration of this project. […]
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#641: 2018.05.13 [vortichez]
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this week’s edition of framework:afield has been produced in tashkent, uzbekistan by vortichez. for more sounds see http://soundcloud.com/vortichez. producer’s notes:
framework:afield: Deep Listening 2018
Field recordings and field recording based sound art of recently certified teachers in the late Pauline Oliveros’ Deep Listening® practice, presented by sound artist Vortichez.
For more information about Deep Listening join the FaceBook Group: The Center for Deep Listening at Rensselaer.
Artwork by fellow new Deep Listening certificate holder Gwyneth Anderson, inspired by the sounds from the show: Internal facade of Umayyad Mosque of Aleppo drawn in violets. (http://gwynethvzanderson.com) […]
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#639: 2018.04.29 [matt burnett]
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this edition of framework:afield has been produced in germany by matt burnett, and is entitled arbeitspause (‘workpause’ or ‘work break’). for more information see http://www.mattburnettmusic.com. producer’s notes:
During my workday I like to take a break every few hours from sitting at my desk. A few years ago I had the idea to combine these work breaks with miniature sound walks around my neighborhood here in Berlin. After doing that for a while, I settled on three basic routes. What we will hear in this piece is one of those routes.
The material for this piece was recorded during the first half of March 2018, in the Prenzlauer Berg district of Berlin. During this time the weather was beginning to change from winter to spring, and I tried to record the sounds of this neighborhood as it started to wake up from winter. Sort of like a dawn chorus, but in this case more like a Spring chorus.
The piece makes repeated use of the same physical space, defined by the route of the underlying sound walk. Different sound identities of the route, which are determined by the time of day of each recording, are revealed. […]
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#637: 2018.04.15 [d.l. lutz]
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this edition of framework:afield has been produced in germany by architect, writer, sound artist and regular contributor d. l. lutz, and is entitled Earscape „Rainforest“. producer’s notes:
Earscape „Rainforest“
Welcome to the rainforest. It’s hot. It’s humid. It’s strange. But this is no normal rainforest. It’s an installation of technical objects fed with sounds of all sorts, thus pretending to be exotic animals. More precisely, it is Matt Rogalsky’s version of David Tudor’s composition “Rainforest”, displayed in a large empty water tank in Berlin. I was excited by the organic feel of the installation, so I recorded it and looked for other compositions and sounds that also blur the boundaries between the natural and the artificial. This is the result. As you listen, you can never be sure if you hear nature, processed nature or machines; some animals sound like computers, some computers sound like animals. What a strange world to visit… […]
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#635: 2018.04.01 [david clarke]
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this edition has been produced in the uk by david clarke, aka iamthehow. for more information see http://iamthehow.com. producer’s notes:
Take some time to unwind and listen to the stories from those who pluck and strum to bring you pleasurable sounds. Come on down with the Cliff Railway from Babbacombe to the secluded beach at Oddicombe where we join the Ukulele Festival – all set to the sounds of the gentle lapping of the waves and the occasional roaring jets of the Red Arrows as they fly high and turn in ukulele formation over this hidden gem on the English Riviera…”
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