#748: 2021.03.14

this is a ponderous, slightly plodding show, kind of the way estonia is currently plodding towards spring, melting down, then turning white again, warming up, then icing over. enough already! this show must have been illustrating our desire to move on to the next stage of 2021, out of winter, out of lockdown, into SOMETHING (what is it?) over the horizon.

sounds from one new (to us) artist this week: french-born, new york-based artist sylvain souklaye, who mixed voice, environment, materials and performance in his creations. also sounds captured in japan by chinese artist xiang, a radiophonic work by pablo sanz, acousmatic works by annette vande gorne, another recent release from our favorite unfathomless label by philip sulidae, the sounds of an ash tree with cello and violin by georgia rodgers, and a framework introduction by regular contributor keith de mendonca (our last of yours, keith! better send more!).

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#747: 2021.03.07 [IWD]

this is an all-woman iwd show with an intentionally global focus.

the concept, mixing and mastering of this show were shared by long-term framework radio contributors, jilliene sellner, and felicity (felix) ford, both currently based in the uk. stitched together from their respective collections of soundart, field recordings and phonography by women from around the world, this mix explores how womanhood intersects with other identities such as race, ethnicity and disability in womens’ creative sonic praxis. a range of different concerns are reflected, from preoccupation with climate-change, to the importance of decolonising listening space.

most of the artists featured here also have a presence on bandcamp, where you can directly support them. each artist featured is making vital contributions to the fields of soundart, phonography and field-recording and we highly recommend that you check out their work via the links below.

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#746: 2021.02.28

a few releases from a new label for us this week, cacophonous revival, bringing us sounds by jen kutler and samuel goff. kutler’s work is one of those that questions the definition of ‘field recording’ – these are sonifications of recorded physiological data, so a representation of found material, although not location recordings. field recording? you tell us.

also new sounds by EKG, the collaboration between longtime friend of the program ernst karel and kyle bruckmann; a gorgeous (both physically and sonically) lp from last year by finnish sound wizard marja ahti, recent listener-chosen favorites from the aporee soundmaps, and a framework introduction featuring chickens recorded for us on the south downs in the uk by joseph young.

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#745: 2021.02.21 [mark vernon]

this edition of framework:afield has been produced in scotland by mark vernon. for more information see his website at http://meagreresource.com. producer’s notes:

The composition of this soundscape combines field recordings of contemporary Lisbon with found tape recordings from the past; reel-to-reel tapes, micro-cassettes and Dictaphones collected from the Feira de Ladra market – a popular and lively flea market in the Alfama district.

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#744: 2021.02.14

stéphane marin has been curating the each morning of the world series for several years now – i even contributed a work myself to the north american edition – but somehow it’s taken us this long to get any of them in the show. so we’re starting with the first one, matins de france, which features (obviously) recordists and recordings from france, produced in 2017. also in the show, new works from éric la casa, jen boyd, blanc sceol, and two works from last year, by pablo diserens and simon whetham. all this started with a framework introduction recorded for us in norway by terje paulsen.

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#743: 2021.02.07 [stijn demeulenaere]

this edition of framework:afield has been produced in belgium by stijn demeulenaere. for further info on his work see his website at http://www.stijndemeulenaere.be. producer’s notes:

Stijn Demeulenaere is a sound artist and field recordist from Belgium. He creates installations, composes soundscapes, performs and does sound design for dance, theatre and film. As part of his field recording practice, Stijn travels to different places in the world, and records the sound there, both urban soundscapes and pristine nature recordings. Latitudes is a project in which Stijn brings these recordings together.

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#742: 2021.01.31

i like this week’s show. i don’t have much more to say about it than that. after a framework introduction actually recorded for us by ben link collins (unlike last week’s intro, which i claimed was recorded by ben collins, but was actually recorded by barry cullin – can you see where i went wrong?), we begin our journey with sounds of interiors recorded by artists invited by eleanor cully, who then “placed a verse of [her] cuckoo song into each room and sent it back to each artist a month later… [she] embedded all five verses into the resonances of these rooms and spread them out across the album as a whole.”

cully’s cuckoo song mingled with sounds of fire and milk by steve roden, soundwalks from the footfalls 2 compilation, the latest online soundwork by nula, and recent listener-chosen favorites from the aporee soundmaps. a contemplative, wintry, warm edition, as we continue our worldwide cold weather (at least around these parts) lockdown.

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#741: 2021.01.24 [alëna korolëva]

this edition of framework:afield has been produced in canada by alёna korolёva. producer’s notes:

What a relief to arrive at last in this new city. Your feet are restless, they take you across bridges and underneath construction sites, under the river even, where you embrace views that make you feel like you have ears all over your new body.

This hour-long travelogue grazes across sonic neighborhoods that might resemble Tbilisi, Batumi, Toronto, Havana, St. Petersburg, Ulyanovsk, Strasbourg, Marseille, Naples, Reggio Calabria, Lisbon and Barcelona. Or at least, the sound sources, the original copies, were first heard there.

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#740: 2021.01.17

we are back! it’s 2021, it’s COLD, the ground is white, and we are in full winter mode here at the framework temporary HQ. the heater is pointed at our toes, we’re typing with fingerless gloves on, and our glasses keep fogging up. but fear not! we are dedicated to bringing warm sounds to your ears throughout this new year!

sounds in this edition from both new discoveries (hayley suviste & lewis ashton) and old favorites (manja ristić & francisco meirino), along with sounds from the aporee maps from the US, austria, portugal, spain, and greece, and a framework introduction recorded for us by regular contributor barry cullen.

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#739: 2020.12.20

we finish off the year with sounds from the greek/vietnamese collaboration of dalot and sound awakener, along with found wire sounds recorded in sweden by british artist jez riley french, resonated metal from france-based greek artist eleni-ira panourgia, explorations of intimacy by australia-based bangladeshi artist shoeb ahmad, sounds from penghu island by taiwan-based french artist yannick dauby, soon-to-be-released ghost sounds from a now-demolished house by estonia-based american murmer (that’s me!), sounds from the aporee maps from finland, sweden, slovenia, germany, and japan, and a framework introduction recorded for us by cain blanchard by an american campfire. that’s a lot of traveling for a world essentially in lockdown. […]

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#738: 2020.12.13 [john f. barber]

COVID Dreamscapes is a sonic narrative of dreams prompted by the COVID-19 (COrona, VIrus, Disease) pandemic (pan = all, demic = people). COVID dreams are widely reported as strange, intense, colorful, and vivid reflections of concerns and fears over contagion, loneliness, loss of control, stress over work and/or life. Medical researchers offer interpretations about meanings. Websites provide opportunities to share and even visualize COVID dreams.

COVID Dreamscapes uses field recordings and found sounds to portray spiraling sonic mashups both real and imagined associated with my personal COVID dreams. While different from what other people are hearing in their COVID dreams these dreamscapes may prompt thoughts about this unique overlay of sound in our lives. […]

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#737: 2020.12.06

two different sets of protest recordings made up the heart of this week’s show: fiona lee documented democracy protests in hong kong from june to september last year, while tomasz pizio recorded women’s rights protests in poland this past october. we hear these spaces transposed, as they are joined by glass and water sounds by tomoko sauvage, abstracted fragments from the free smartphone app developed by the langham research centre, sounds of a total solar eclipse from a pre-pandemic world by tim pilcher, and recent contributions to the aporee maps from south korea, germany and taiwan. […]

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#736: 2020.11.29 [mark vernon]

The Dominion of Din is a radio play made out of recordings from a single fixed perspective over an eighteen-year period. It is created entirely from field recordings made out of the rear window of my flat in the West End of Glasgow. In essence, it is a catalogue of exterior sounds that have annoyed, disturbed or angered me over the years living at this residence – and sounds that have largely disappeared during lockdown. […]

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