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this edition of framework:afield has been produced in the uk, and features extracts from field recording based compositions created by phonography students at goldsmiths, university of london. each extract encapsulates the student’s individual approach to exploring some of issues encountered within field recording and soundscape composition practices. the original works are between 13min and 20min in length, and the show has been curated by iris garrelfs.
for more information on iris and her work, and the course itself, see:
http://irisgarrelfs.com
https://www.gold.ac.uk/ug/bmus-music/
https://www.gold.ac.uk/ug/bmus-popular-music/
The artists and their works are, after the introduction from mua kim‘s nightwalk, in order of appearance:
- Joe Chilton – A sheep farm in Dorset
- Cecilia Morgan – se ten ears (five pairs)
- Dafne Lanza – Glitch
- Rosie Alderton – Willie Smarts Hair Emporium
- Harry Rodger – Isle of Wight
- Hal Taylor – untitled
- Fernando Yada Rodrigues – untitled
- Jacob McGarry- Exclusion
- Eleanor Ferrand-Brooke – untitled
- Lucas Hui – Elevators (Me & You)
- Callum Laing – The Process
- Claudio Stangarone – untitled
- Jessi Mcdonald – untitled
- Ben Houlton – the non-place
- Ben Smillie – untitled
- Iona Vallance – Rebellion
- Ashley Johnston – London/Vienna
- Rory Nicholson – untitled
- Oshen Douglas-McCormick – Sounds of 3am
- Pierre-Hugues Theunissen – Chaotic Love
- Dominic Trevor – Time Away
- Mua Kim – Nightwalk