#711: 2020.04.26 [john f. barber]

Coho Crossing is a sonic narrative about a crossing of the Strait of Juan de Fuca between Victoria, British Columbia, Canada, and Port Angeles, Washington, United States aboard the ferry Coho, named for the coho salmon found in the waters of the Pacific Northwest. John Barber created this composition from field recordings made aboard the Coho. In his introduction, Barber explains the sounds heard. In addition to contributing to framework, Barber manages Radio Nouspace (www.radionouspace.net), one of several global outlets for framework radio. Learn more about this work, and others by Barber, at his website, www.nouspace.net/john/creative.html […]

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#710: 2020.04.19

it was just before our last regular edition (the show was already mixed and sent of to our family stations) that we received the news of the passing of amanda wilson, aka kassia flux. amanda has been a big contributor to the program over the last several years, and, although we paid tribute to her in writing in the playlist for that edition (#708) we wanted to do it on the air as well, so in this edition we listened back to 2 long excerpts from her two editions of framework:afield, both of which can be heard in their entirely via the links below. we also began this editon with the last framework intro she contributed, recorded earlier this year, just before our 700th show. amanda was a great artist and a great friend of he program, and we will miss her. […]

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#709: 2020.04.12 [mark harwood]

When experimental artist Mark Harwood was invited to perform a series of shows in Chile and Argentina in October 2019 it was by chance his arrival coincided with Chile’s largest uprising since the end of the dictatorship. This radio show attempts to explain what happened (is still happening) there via a vast array of diverse field recordings of the protests and casual conversation with new friends. […]

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#708: 2020.04.05

we hope you are all holding up well, staying healthy, staying home, and using your time wisely. we produce framework from a home-studio, so it is just about the only aspect of life under lockdown that has not been affected. we have featured recordings in the last few shows reflecting the new sonic realities of our world under quarantine, and we have seen that works like these are generating some interesting discussion and reflection around the ethics of recording under emergency environments and conditions, with regards to risk (to oneself and others), safely, rights, creativity, promotion and intention. these, we feel, are considerations that the field recordist always needs to take into account, which have been amplified by our current situation, and we are pleased to see these questions being asked and these discussions taking place. meanwhile, we’re taking a different approach for this edition, attempting to provide our ears with some other listening, sounds from outside the pandemic, as distraction perhaps, or maybe meditation. […]

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