here it is, folks: our first shiny new we-have-entered-the-21st-century (albeit a little late) playlist mailing! we think we’ve got it all working now – automatic subscriptions forms are online at our website (at the bottom of the sidebar on each page) and on our facebook page (the ’email signup’ button just below our profile picture). we imported our previous mailing list (as always, we only have addresses on our list that have explicitly opted in), but it’s always possible we screwed it up, so if you’re getting this and you’re not meant to be, just let us know. likewise if you want it but you’re not receiving it directly, just sign yourself up. you can also change your preferences via the links at the bottom, to receive a plaintext version, for example, or a mobile version. let us know what you think! so now on to the show:

this edition of framework:afield has been produced in australia by jay-dea lopez. for more information see his website at from jay-dea:

The Menace of Sound

We often think of the sonic world in binary terms: beautiful verses ugly (sound verses noise). While there is some validity in these categories I would suggest that the two cannot exist in isolation from each other. There is a point at where the two extremes must meet, bleeding into an ambiguous domain that haunts the listener with its uncertainty. For me this domain is where the most interesting experiences can be found for both the artist and the audience.

In this show the simple sounds of crickets, wind, wire, bridge cables, commercial spaces, and seals are recontextualised into a world which resonates with menace. It is to the artists’ credit that they never resort to cheap theatrics, instead choosing to build tension through well-crafted layerings and juxtapositions of natural and industrial sounds.

(time / artist / track  / label)

01:20-11:54  /  Hildergard Westerkamp  /  Cricket Voice  /  empreintes DIGITALes

11:54-21:26  /  Craig Vear  /  Cravasse Blue  /  Mille Plateau

21:26-22:31  /  Robert Noone and Michael Paul  /  Seal Sounds (fragment – from the movie Encounters at the End of the World)   /  THINK Film

22:31-27:35  /  Simon Wetham  /  Connections (fragment)  /  3leaves

27:35-30:11  /  The Wired Lab  /  Sputnik Wires (fragment)  /

30:11-35:10  /  Philip Reeder  /  Sail Song  /

35:10-36:45  /  David Burraston  /  Bee Hive  /

36:45-50:27  /  Michael Trommer  /  Greyfields  /  Audio Gourmet

50:27-54:16  /  James Wyness  /  The Bridge (fragment)  /  Green Field Recordings

54:16-56:20  /  Robert Noone and Michael Paul  /  Seal Sounds (fragment – from the movie Encounters at the End of the World)   /  THINK Film

patrick 2012, framework:afield

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